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trekster
Junior
Username: trekster

Post Number: 24
Registered: 7-2004
Posted on Tuesday, April 26, 2005 - 5:53 am:   Edit Post

I also use a Bass Pod (thinking of upgrading to an XT in the near future)..mostly because I want the SVT tone w/o having to drag a SVT beast around. As for effects, I have 2 set in the Pod -- the Octave Divider for a couple of Hendrix tunes that I like the 8-string sound on, and the Flanger for the bass part on Comfortably Numb -- it's not like the original, but that slow sweep really gets noticed.

--T
alanbass1
Junior
Username: alanbass1

Post Number: 38
Registered: 4-2005
Posted on Wednesday, April 27, 2005 - 5:09 am:   Edit Post

Do you find the Bass POD does the SVT thing convincely? I have tried the POD XT for guitar and always felt it could not really get the warmth, clarity and definition of the Valve amps it was trying to emulate; it got a lot closer using a valve power amp but then..... Anyhow, as the SVT is all valve just wondered how close it got.
811952
Advanced Member
Username: 811952

Post Number: 392
Registered: 10-2003
Posted on Wednesday, April 27, 2005 - 6:51 am:   Edit Post

I find it's quite acceptable for live gigs, but then I also have been using all-tube power. I used to know a guy who could reliably pick out whether or not gold connectors were being used in the patch panel of a certain recording studio by sound alone, and you may be one of those specially-gifted people. My ears aren't THAT good by a long shot, so I may be missing some heinous butchering of the signal. If it's any help, here is the url listing people who use Line6 stuff: http://www.line6.com/artists.html
john
bsee
Senior Member
Username: bsee

Post Number: 884
Registered: 3-2004
Posted on Wednesday, April 27, 2005 - 7:44 am:   Edit Post

The XT is much more real sounding to me than the original. That said, it doesn't have a matching set of presets to the original. I haven't played with programming it, but I don't think it has the same set of effects. If you're using the original, I'd strongly recommend doing an A/B test with the XT.

I wonder when the next generation is coming?
alanbass1
Junior
Username: alanbass1

Post Number: 40
Registered: 4-2005
Posted on Wednesday, April 27, 2005 - 1:56 pm:   Edit Post

I don't think I have any particular gift with sound, just that the POD I played through with a guitar just did not have the body, depth and warmth that either my Victoria or Badcat has. It seemed to get worse at gig volumes where it remained quite thin sounding in comparision to the fatness of a valve going into compression. Also, they lacked that almost three dimensional sound that I get out of my valve amps when they hit the sweet spot. I'm not saying they are bad units, just that they did not seem to do a particularly good job at emulating how valves behave, which is why I wondered about the SVT setting on the bass POD. I'm guessing that the solid state bass amp emulations can pretty much be spot on.
hb3
Junior
Username: hb3

Post Number: 27
Registered: 2-2005
Posted on Wednesday, April 27, 2005 - 3:33 pm:   Edit Post

I have a pod pro and never muched like it...thin. I suppose in part because I'm used to the uber-phat Aguilar pre and power amp. Plugging into the pod after that is just a big bummer.

I bought one of those Digitech floor pedals with digital modeling and digital recorder -- I liked it, surprisingly. It was cheap, too, and I guess discontinued. I may be the only bass player on the planet to buy one.

I also bought the Digitech Hendrix pedal off the recommendation on another thread. Not bad, but I feel somewhat like a dork. "Look, ma, I'm Jimi Hendrix!" But ok, I guess. I used to hate Digitech's products, but I can now have fun with their stuff, at least.
811952
Advanced Member
Username: 811952

Post Number: 393
Registered: 10-2003
Posted on Thursday, April 28, 2005 - 9:07 am:   Edit Post

Come to think of it, I did find the Pod to be relatively without deep bottom when I first got it. I don't consider that a *fault* of the unit, but moreso simply a personality. I've been using tube power exclusively of late, usually through a Peavey 210 cabinet. I usually end up rolling-off some of the bottom by the time all is said and done, so I figure it's more of a "tuning it to the room" than anything else. I had similar experience with my old F2-B, in that real control of the deep lows doesn't appear to be something designed into the system and is best achieved by having a well-voiced cabinet or two (or four) and possibly an additional eq or BBE (do they still make the pedal? That was sweet). And, of course, a massively massive all-tube industrial monoblock from the '50s or '60s just makes *everything* sound better and shake more. I've gotta take some pictures of those things and post them so you guys can all see what a true equipment slore I really am... ;)
John
gare
Intermediate Member
Username: gare

Post Number: 194
Registered: 11-2003
Posted on Tuesday, May 03, 2005 - 6:29 am:   Edit Post

Friday night I saw a band that the guitar players were using Tonelab modelers, and they sounded great. I would have swore that everything was coming from what appeared to be Vox AC30's on stage. In reality it was a couple of repo Vox cabinets and the guitarists shared a stereo power amp.
Now if they could come up with something that sounded as good for bass....
Gary
trekster
Junior
Username: trekster

Post Number: 25
Registered: 7-2004
Posted on Wednesday, May 04, 2005 - 5:11 am:   Edit Post

Alanbass-- yes, I do get a convincing SVT sound out of my Pod, but I do it in a very strange way. I run the output from the pod to my Carvin head, and that out to my two Hartke Cabs (1x15, 2x10). Originally, I meant just to use the Carvin for the bi-amped 400 watts of power, but I found that plugging the output of the Pod into the guitar input instead of the bypass, running everything flat except for the bass boost switch turned on gave me the low end response I felt was lacking from the POD.

--T
811952
Advanced Member
Username: 811952

Post Number: 395
Registered: 10-2003
Posted on Wednesday, May 04, 2005 - 5:57 am:   Edit Post

Gary,
Guitarists *sharing* an amp, albeit a stereo power amp, must surely be one of the signs of the pending apocalypse. Either that, or you made it up... ;)
John
gare
Intermediate Member
Username: gare

Post Number: 196
Registered: 11-2003
Posted on Wednesday, May 04, 2005 - 7:53 am:   Edit Post

Nope John..it's for real.
Most of their sound was FOH,the cabinets on stage were more or less monitors. Their on stage sound level was pretty low.
I think we should just go with the apocalypse theory..what next ? Bass players trading off on guitar ? Being asked to sing ? (gasp!)
Playing one of those instruments with the black and white thingys you press down to make noise ?
Where will it all end ?
exploiterplayer
Junior
Username: exploiterplayer

Post Number: 39
Registered: 12-2002
Posted on Thursday, May 05, 2005 - 7:00 am:   Edit Post

I use a Trace Elliott SMX Dual Compressor with my Trace Elliott 1210H (4x10 300 watt combo)
Compression really just helps to keep a consistant volume level from note to note. Which is very helpful to finger style players who dig in a little harder on certain riffs.

I've played around with bass multi effects units but I have no use for them professionally.
alanbass1
Member
Username: alanbass1

Post Number: 59
Registered: 4-2005
Posted on Tuesday, May 10, 2005 - 9:44 am:   Edit Post

Well, I got a pair of Moogerfoogers over the weekend, the MF-101 low pass filter and the MF-102 Ring Modulator. I got them as they were so much fun and just sooo funky it's unreal. Will I have much use for them at gigs, probably not without completely hacking off the band, but I'm sure going to use them for recording. I have just got a close approximation to the old 'Doctor Who' sound on guitar, but it's with bass that these puppies really shine.
mint_bass
Advanced Member
Username: mint_bass

Post Number: 256
Registered: 1-2004
Posted on Friday, May 13, 2005 - 9:24 am:   Edit Post

i have been looking into getting a digitech whammy for a while i have just ordered a digitech bass synth wah which i look forward to toying with. what do you juys think of the whammmy pedal for bass also do they make a bass specific version. have any of you heard the mad capsule markets the bass player uses an effect i think maybe a whammy pedal anyone know?

Other than my new synth wah i use a marshall distortion which i am not thrilled with a dan o wah pedal which is okay but i will replace soon with a dunlop and my amp has a built in octiver type thing which is cool. Different notes cause different objects to vibrate in the room which is good fun a low B just about shakes my house down.

andrew
rockbassist
Junior
Username: rockbassist

Post Number: 44
Registered: 8-2005
Posted on Sunday, October 02, 2005 - 9:40 pm:   Edit Post

I also play guitar as well as keys and have never used effects on bass. I just don't find it necessary unless you are playing in a band where you are the sometimes the lead instrument. I have seen many bassists who think that they have to keep up with guitarists who have tons of pedals. Many of them end up destroying the song and their original intent by over using efects and over playing. I'm not implying that this is the case with you. Afterall, you are intelligent enough to play Alembic. Anyway as a rule, in most bands we are not the lead instrument yet when we see people bobbing their heads, tapping their feet or dancing, whether they realize it or not they are doing so because of the bass line. I have always looked at my role in several ways. First of all, if I am playing with a solo artist, my job is to make him/her look good. Be prepared and don't be a dick. Do what they need you to do. Secondly, I have always looked at a song as a living breathing thing. The guitar, keys and vocals are it's personality. The bass and drums are it's heartbeat and respiration. Therefore we give it life. I don't feel that effects are necessary to give something life. I like a clean punchy tone similar to Marcus Miller. Even though my influences include Marcus, as well as many other styles like Paul McCartney, James Jamerson, Jack Bruce, John Entwistle, John Deacon, Phil Lynott, Gene Simmons, Geddy Lee and others. I have played everything from 60's and 70's rock to one hit wonders, rock and hair bands of the early 1980's original blues and country. I cannot say that any one is my favorite but I have never used effects on bass.
slammer
New
Username: slammer

Post Number: 4
Registered: 3-2006
Posted on Thursday, March 09, 2006 - 9:33 pm:   Edit Post

I play with brianstatik; we are an electronic progband. i use an Eventide eclipse. Many times it doesn't even sould like a bass, better than MIDI real time tracking!

I run a wet and dry channel, so I can decide how out there I want to be on the fly.
davehouck
Moderator
Username: davehouck

Post Number: 3417
Registered: 5-2002
Posted on Thursday, March 09, 2006 - 9:55 pm:   Edit Post

Jim; I'm listening to some of your mp3 samples. Very nice!
olieoliver
Member
Username: olieoliver

Post Number: 60
Registered: 2-2006
Posted on Thursday, March 09, 2006 - 10:44 pm:   Edit Post

I've used some light effects in the past put I'm more of a straight signal man. I have nothing against effects just not my bag.
bigredbass
Senior Member
Username: bigredbass

Post Number: 661
Registered: 9-2002
Posted on Thursday, March 09, 2006 - 11:23 pm:   Edit Post

This ever happen to you? Buy effect just like this week's bass hero uses. Got all stoked up on a Pino Palladino/Paul Young article, just HAD to have a BOSS octave box like PP uses.

Guess what? I'm no Pino Palladino and nothing I play sounds even half-way right once I fire up the thing! Learned 'Burn Your Playhouse Down': Never played it, the band could've cared less . . .

J o e y
bassdr
Member
Username: bassdr

Post Number: 51
Registered: 10-2004
Posted on Friday, March 10, 2006 - 6:26 am:   Edit Post

I really like my EBS octabass, it gives me lower notes than a 4 string without having to go to a 5 and is super clean- Michael (Flame Koa Essence)
jazzyvee
Advanced Member
Username: jazzyvee

Post Number: 396
Registered: 6-2002
Posted on Thursday, April 06, 2006 - 11:59 pm:   Edit Post

I recently bought a Line 6 Pod XT Live for guitar. It generally goes against my preference for analogue pedals due to their warmer sound than digital.

Really I got it hoping I would get a more consistent live sound when on tour based on the idea that their modelling amps would be reasonably authentic and I could just use the backline amp as just a poweramp.

However so far having tweaked with the sounds I have yet to find anything that gives any warmth, that inherent feeling of power nor the clarity I was hoping for.

I still find it a bit thin and buzzy and over processed for the overdriven, distortion sounds. With a clean setting it's very digital especially in the higher register the sound is almost unnatural for a guitar sound.

I have a gripe about these digital boxes not giving a straight bypass of the digital processing and this is no difference.

In my analogue board I have a Boss line switcher to keep my effects out of line till I need them. I plan to try the Line6 with that over the weekend and also use the blend setting which should basically give me a wet and dry mix of effect and clean guitar which I hope will keep the clarity of my Orion guitar and I can add as much of the XT Live as I feel neccessary.

I have a mate who has the rack version and swears by it..... so far I've only swore at it.

Its not horrendous but sounds very digital. I'll have to spend a bit more time trying to tweak the settings to get some some warmth out of it. Failing that you may see it on ebay... lol

I still don't think digital is there yet with effects pedals but its better than it used to be.
I tried the Boss GT8 I think it was..... .... hmm didn't blow my socks off but is marginally better than the GT6.

(I have a preference for tube amps and have a fender twin which I love, although its in repair at the moment).

Anyone had any success with it?
Any tips for getting warmth. I only plan to use my Alembic on the road this year so experience with Alembic guitars would be good. I have yet to try my strats through it.


ps: is the display visible under bright sunlight or bright stage lighting?
Jazzyvee
bigredbass
Senior Member
Username: bigredbass

Post Number: 733
Registered: 9-2002
Posted on Thursday, April 13, 2006 - 3:56 pm:   Edit Post

I recently STOLE a NIB Aphex 661 TubeEssence compressor. Had resigned myself to a DBX 160A and then I found this. Really digging it as it has an automatic mode which 'follows' you from thumb to fingers to pick, pretty handy. Or you can adjust the 4 controls separately in a manual mode to really fine-tune for a given attack. It seems strange to wait for the tube to warm up before it's ready.

I was surprised as I have fairly even attack. Especially how it tended to tighten up the low Cs and Ds and to pull up the dreaded dead spots on some of my other axes.

I'm in line for the new TC G-Sharp: Dual engine, Rev/Effects, and an all-knob faceplate: I hate trying to scroll through a bunch of pages in a panic.

I always wanted to add invisible compression, a light chorus in spots, and a very light reverb to my sound. I bought a great bass and amp, and wanted that final bit of 'studio seasoning' to finish out my sound. I hope I'm fixing to FINALLY be there.

J o e y
lbpesq
Senior Member
Username: lbpesq

Post Number: 1211
Registered: 7-2004
Posted on Thursday, April 13, 2006 - 5:01 pm:   Edit Post

Joey:

As a fellow suffer of G.A.S., I can assure you that you will NEVER be "there". For once you actually get there, "there" becomes "here" and, guess what? There's a NEW "there" there! Enjoy the compressor and rock on!

Bill, tgo
davehouck
Moderator
Username: davehouck

Post Number: 3610
Registered: 5-2002
Posted on Thursday, April 13, 2006 - 6:00 pm:   Edit Post

Joey; I use a TC reverb/effects unit, which I like a lot. All knob controls sounds great; I'll have to check it out.
bsee
Senior Member
Username: bsee

Post Number: 1132
Registered: 3-2004
Posted on Thursday, April 13, 2006 - 7:12 pm:   Edit Post

I am really liking my POG now. Makes for a very nice 8-string sound and can do some more wacky things if you're into that. I just use it in a 3-piece setup to get a fuller tone on some tunes.
dubalbal
Intermediate Member
Username: dubalbal

Post Number: 175
Registered: 10-2004
Posted on Monday, April 17, 2006 - 1:22 am:   Edit Post

Hi Folks ,

...just a little word to say that i bought a few month ago the TC electronic G-SYSTEM , originally made for guitar . In fact , these are kind of studio effects that suits bass too . The presets are tailored for guitar but when u build your own sound , it's really great tool ! Great choruses , delays , reverbs , parametric eq ...everything but distortions...I'm really happy with it !

The only limitation is the tuner , it doesn't match the E+A strings...with the harmonics it's ok however .

I also uses a ebs octaver .

I ' m also intersted in the ebs valve drive pedal as , i still need to try it !

ALAIN
jlpicard
Senior Member
Username: jlpicard

Post Number: 421
Registered: 7-2002
Posted on Monday, April 17, 2006 - 7:39 pm:   Edit Post

To all those out there considering Digitech pedals etc. I used to work for them as a Sound test tech. It was my job to make sure they worked as advertised before they went out the door. As an employee, I got to buy anything I wanted for cost! I could never bring myself to buy a single thing! Need I say more? (nudge, nudge, wink, wink)
paulembic
Junior
Username: paulembic

Post Number: 16
Registered: 6-2004
Posted on Wednesday, January 03, 2007 - 9:15 am:   Edit Post

My current board/chain rig is:

Boss Volume
Boss Distortion/Bass overdrive
Morley bass wah
MuTron III
Digitech synth wah
Digitech Whammy II
Boss Chorus
Boss Flanger
Boss Tremelo
Moog Bass Murf
Digitech Compressor
Boss octave
Boss Loop Station
Boss reverb/delay
a Morley A/B switch fopr multiple basses
then a rack tuner, power conditioner, my Alembic pre amp.
All mogami, monster cables

might add more distortion options this year.

I used to run the effects only through the treble pickup and ran true stereo-two amps- but I soon will run them mono to a crossover and two cabinets.. this way the Moog, Mutron, synthwah, and other effects sound much richer.

Alembic custom 8-string (The Riff King) and soon a 4 string series II (OhMyGa) plus a custom fretless..all stereo

BTW I have even more crap for my electric guitars.

Over twenty years of simplification and enhancement, improvement and trial, trial, error, error...
jazzyvee
Senior Member
Username: jazzyvee

Post Number: 695
Registered: 6-2002
Posted on Thursday, January 04, 2007 - 12:36 am:   Edit Post

I'm not a fan of bass effects live although I had considered using a compressor on my bass rig at one point, but was talked out of it by a forum member so for now I'm clean and controlling dynamics myself. It's good to know the sound I get is just my fingers and my bass.

My experience with effects on guitars over the years has led me to be very disappointed with digital devices. I bought a Line6 XTPro live last year for my guitar as I was getting a variety of guitar rigs whilst touring and wanted to get a make sure I was getting a constent tone.

They are good at what they do but you do sacrifice so much of the natural sound of the instrument. To keep this to a minimum, I use a line switcher to keep the XT out of the signal path till I need an effect. Then I add it to my clean guitar sound rather than have just the processed guitar sound. That way I keep the clarity of the natural guitar sound.

This year I am considering going back to using the analogue stomp boxes as I've managed to arrange for a specific guitar amp which means I should be able to get what I want soundwise.

I can't see that I would use bass effects live at all. But then it's not required in the music I do for bass.
Jazzyvee
hodge
New
Username: hodge

Post Number: 9
Registered: 11-2002
Posted on Wednesday, January 24, 2007 - 12:02 pm:   Edit Post

does anybody have any views on the boss bass overdrive pedal.
paulembic
Junior
Username: paulembic

Post Number: 17
Registered: 6-2004
Posted on Wednesday, January 24, 2007 - 12:15 pm:   Edit Post

Boss bass overdrive... I have one and love it.

But the real discussion might need to go deeper...
do you want valve overdrive?
valve gain?
distortion/overdrive?
fuzz?
scooped?
dark/.dirty or buzzy like a mixer line overdrive?
with tonal/filter sweeps?

Depending on hwo much noise you like you can end up with several effects.

My equally-massive guitar pedal board has a Line 6 distortion modeler (gold, three switch one)and many of its sounds are great on bass, too. To my ears.

good luck
lowlife
Advanced Member
Username: lowlife

Post Number: 252
Registered: 12-2003
Posted on Wednesday, January 24, 2007 - 12:41 pm:   Edit Post

The built-in compressor that is on my Eden WT-800 is bypassed, so the only effect I use is an Eleectro-Harminix Baseballs, for that "Bootsy' type sound. Everything else is me & my fingers.

Ellery (Lowlife)
hodge
New
Username: hodge

Post Number: 10
Registered: 11-2002
Posted on Friday, January 26, 2007 - 9:28 am:   Edit Post

many thanks to paulembic for his input,i shall be ordering the pedal as soon as.
kimberly
New
Username: kimberly

Post Number: 8
Registered: 1-2007
Posted on Friday, February 02, 2007 - 3:14 pm:   Edit Post

Kimberly joining in. :-)

As a bass soloist I use the following.

Boss RC-50 looper.

Roland GR-20 synth. (I make pretty good use of the different voices that give me the means of offering a 'variety' of sounds to keep stuff from sounding too much alike and thusly boring.)

Lastly, an old school Roland GS-6 for a touch of reverb/delay/chorus. Very handy when playing a tune 'stand alone' to give the tone more texture/color. As well, I use the overdrive/distortion on selected tunes when playing a 'unique', or distinctive sounding guitar part, say for example, American Woman.

To date my most 'complex' tune is five separate parts on the looper and four separate voices (I thought it was five but I just counted them and it's four) with the synth.

On a War tune I use;

The 'standard' bass line (no synth)
A guitar 'type' rhythm (no synth)
Cow bell (synth)
Tamborine (synth)
Conga 'sqeaks' (synth)
All looping away until lastly, a 'full blown' synth voicing for melody and lead. Fun stuff. :-)

By the way, I do everything instrumentally, (never did like to sing) so it is important to be able to 'use the technology' and be able to provide the variety to keep the crowd 'wowed' and happy. Crazy huh? ;)

Kimberly :-)
wibbersengland
New
Username: wibbersengland

Post Number: 2
Registered: 5-2007
Posted on Saturday, May 19, 2007 - 4:53 pm:   Edit Post

I use a TC Electronic G-system with Boss line pedal to mix the TC with the 'clean' amp sound, and powr a Boss TU2 TUNER AS i LIKE THIS MORE THAN THE tc TUNER and an Ashdown subharmonic pedal all neatly housed in a smallish flight pedal board. the tc quality is 'there' (ie. awesome)!
the_mule
Senior Member
Username: the_mule

Post Number: 664
Registered: 1-2004
Posted on Sunday, May 20, 2007 - 12:19 am:   Edit Post



(Message edited by the_mule on May 20, 2007)
the_mule
Senior Member
Username: the_mule

Post Number: 665
Registered: 1-2004
Posted on Sunday, May 20, 2007 - 12:19 am:   Edit Post

My standard rig:

Bass -> Alembic SF-2 Superfilter (preamp, mono) -> Glockenklang The Passenger <-> EBS Dynaverb (effectloop)

Wilfred
muller1007
Intermediate Member
Username: muller1007

Post Number: 172
Registered: 5-2002
Posted on Sunday, May 20, 2007 - 2:04 am:   Edit Post

My current rig:

Series 1
DS-5R
SF-2
EBS Fafner amplifier
Korg DTR-2000
Furman power conditioner
EBS DynaVerb
EBS UniChorus
EBS OctaBass

I'm considering putting in a multi-effects unit.

Duncan
olieoliver
Senior Member
Username: olieoliver

Post Number: 1343
Registered: 2-2006
Posted on Sunday, May 20, 2007 - 6:49 am:   Edit Post

I recently purchased a Line-6 Bass Pod XT Live and must admit I am having a world of fun with it. In fact after playing through it I got out my old rack and hooked it up.

My rack has a Yamaha SPX-90,(one of the first), Alesis 3630 Dual Compressor, and a BBE 362 Sonic Maximizer. All 3 of these processors are around 15 years old but still work and sound good.
I just added a F1X to this rack. Getting some cool sounds.

Olie
olieoliver
Senior Member
Username: olieoliver

Post Number: 1344
Registered: 2-2006
Posted on Sunday, May 20, 2007 - 7:10 am:   Edit Post

Correction for above, my BBE is a 462 not a 362.
keurosix
Intermediate Member
Username: keurosix

Post Number: 185
Registered: 10-2005
Posted on Monday, May 21, 2007 - 1:36 pm:   Edit Post

In my rack I have an ancient deltalabs Effectron II that I use for doubling, sometimes a delay or chorus for my fretless bass. IMO,the fretless really needs a touch of chorus to open it up. Besides that, I don't use it for my fretted basses.
Kris
gare
Advanced Member
Username: gare

Post Number: 400
Registered: 11-2003
Posted on Tuesday, May 29, 2007 - 9:51 am:   Edit Post

About a month ago I picked up a slightly used Bass Pod XT Pro..very handy unit. Since we play a vast variety of songs, it comes in handy to pre program sounds per song. The main modeled sound goes to the FOH and direct to my Mark Bass/Schroeder, also have a BBE unit patched in.
My only complaint with the unit is the octave divider, doesnt track well, so when needed I still use a Boss OC-3. Try the Hiway 200 with some sub octave mixed in..a nice full Cheap Trick'y kind of sound.
A good thing, using the Pod I've eliminated the pedalboard, although I'm also using an FBV Express pedal to change sounds.
Most of the effects are pretty usable,the only problem I have is that you can tweak forever and always find new usable sounds.
And I'll have to go along with Kris, fretless does sound nicer with a touch of chorus.

Gare
dannobasso
Senior Member
Username: dannobasso

Post Number: 550
Registered: 3-2004
Posted on Tuesday, May 29, 2007 - 2:16 pm:   Edit Post

My band recently went from 5 pc to 4 (which I rather enjoy), back to my roots so to speak. I just picked up a Boss ME-50B unit. I want a simple stompbox type of all in one unit to add a few sounds during certain intros and during the guitar solos. I have to fiddle with it but I think it will be ok. It has comp/limit, master section, drive/synth, delay/mod and expression pedal. In the studio I sometimes use the POD XT for demos when an SVT vibe is called for.
olieoliver
Senior Member
Username: olieoliver

Post Number: 1376
Registered: 2-2006
Posted on Tuesday, May 29, 2007 - 2:24 pm:   Edit Post

This thread elaborates more on this topic.
mario_farufyno
Junior
Username: mario_farufyno

Post Number: 29
Registered: 9-2008
Posted on Friday, December 05, 2008 - 2:21 pm:   Edit Post

My rig is running this way:

Alembic Rogue (4 string Bass)

ZVex Wooly Mamoth (Fuzz)
Boss LS-2 Line Selector (A/B box with individual volume pots)
*(I used it to keep an Boss Octaver OC-3 and a Dunlop Bass Wha aparted from the main chain)
Eletro Harmonix Q-Tron (envelope filter)

Ampeg SVT-III Pro (head)
Epifani UL-210 (cabinet)
benson_murrensun
Member
Username: benson_murrensun

Post Number: 72
Registered: 5-2007
Posted on Monday, December 08, 2008 - 12:24 pm:   Edit Post

I use effects only occasionally. When I use them, I run the bass into a Radial Tonebone Switchbone which has two effects loops that can be switched totally out of the chain. One loop is for an Electro Harmonix BassBalls dual filter. The other loop goes to a Yamaha Nathan East parametric EQ thingee, which gives many variations on the mid-scoop sound. In the line are also a Boss Bass Parametric EQ pedal and a SansAmp Bass Driver (for overdrive and DI).
chris_star
New
Username: chris_star

Post Number: 2
Registered: 12-2008
Posted on Sunday, December 21, 2008 - 11:41 am:   Edit Post

Hey folks, I have been tossing around the idea of getting that radial bassbone.
would anyone recommend this? I am in a tribute band to the music of the Who and think I need an overdrive/distortation pedal and possibly a chorus pedal. I believe this is what i'm hearing on some of the live performances of John's. Is this correct? Can anyone offer some suggestions. I currently use a Epic 4, Trace Elliot SMX GP12 head, partnered with a SWR Triad cab.
davehouck
Moderator
Username: davehouck

Post Number: 7273
Registered: 5-2002
Posted on Sunday, December 21, 2008 - 2:39 pm:   Edit Post

Chris, there are several Entwistle experts on the board. Most folks don't read all the messages everyday; but I expect at some point someone while chime in on what was used on which song.
terryc
Senior Member
Username: terryc

Post Number: 659
Registered: 11-2004
Posted on Tuesday, December 23, 2008 - 6:56 am:   Edit Post

Chris..there are plenty of bass OD/Fuzz units made by Boss etc.
I would take your bass AND amp to your local store to test them, the reason I say take you own gear is because
a) They may not have your specific gear
b) Your bass will be set up for you
c) testing effects through gear you don't know may not give the results you want thru' your own bass & amp.
If your gear is too big to get to the store then at least take your own bass and use an amp with all the tone settings set at neutral
best of luck with the hunt.
mario_farufyno
Junior
Username: mario_farufyno

Post Number: 46
Registered: 9-2008
Posted on Sunday, December 28, 2008 - 7:40 pm:   Edit Post

It seems that Ox was always a "rig freak":

http://www.thewho.net/whotabs/equipment/bass/equip-entwistlegear.html
benson_murrensun
Member
Username: benson_murrensun

Post Number: 79
Registered: 5-2007
Posted on Saturday, January 03, 2009 - 1:25 pm:   Edit Post

I just got a Boss SYB5 Bass Synth pedal. Prior to the playing session I was trying to find a usable starting point on the pedal, and I gave everybody in the room a headache (including me) within 10 minutes (it wasn't even that loud - just obno). It seems the effect settings are very extreme, and in order to find a usable sound I had to set the effect volume very low in relation to the un-effected volume.
I want a sound that still sounds like a bass, only gnarlier.
Anybody got any suggestions?
jbybj
Intermediate Member
Username: jbybj

Post Number: 193
Registered: 6-2006
Posted on Sunday, January 04, 2009 - 8:11 pm:   Edit Post

I recently picked up an EHX micro POG, polyphonic octave generator. Three knobs, source level, sub octave level, and octave above level, you can blend them as you please. I really like the thickness it provides, and it tracks extremely well. With a little distortion before, and a little chorus, envelope, or flange after, it can get, what I would call, "gnarly". Still in a very bass-centric, musical fashion. I was especially pleased with the way it integrated in a jam setting. So often we can fiddle around with effects on our own, only to find they don't play well with others. The Micro POG is my favorite new sound.
jacko
Senior Member
Username: jacko

Post Number: 2047
Registered: 10-2002
Posted on Monday, January 05, 2009 - 4:39 am:   Edit Post

I've just bought a Bass Big Muff pi and I'm very impressed with it. I've been able to get a pretty accurate 'chris wolstenholme - hysteria' style distortion. I've over the moon about this as up till now I've been trying to achieve distortion using an EBS multidrive but that just didn't give the right kind of buzz. I also have a mini Q tron and an EBS chorus in the effects chain - can't think of anything else I'd need.

Graeme
dnburgess
Senior Member
Username: dnburgess

Post Number: 584
Registered: 1-2003
Posted on Monday, January 05, 2009 - 2:37 pm:   Edit Post

Graeme - other distortion units that I particularly like are the Demeter Fuzzulator and Fulltone Bass Drive.
slawie
Junior
Username: slawie

Post Number: 37
Registered: 8-2002
Posted on Thursday, January 15, 2009 - 10:04 pm:   Edit Post

I split my treble signal with a Chorus and compress the bass signal into a dual input amp.
Series one preamp and power supply played on a fretless.
benson_murrensun
Member
Username: benson_murrensun

Post Number: 89
Registered: 5-2007
Posted on Friday, January 16, 2009 - 8:29 am:   Edit Post

I would like to throw in some kudos to the Yamaha NE-1 tone-shaping device, sometimes known as the Nathan East Magic Box. This thing is a highly adjustable mid-scoop circuit, which seems to work even better than the aural enhancer found on such amps as SWR and Eden, offering additional clarity to the sound. Plus it is all shiny chrome with chicken-head knobs....
hankster
Intermediate Member
Username: hankster

Post Number: 189
Registered: 6-2004
Posted on Friday, January 16, 2009 - 8:39 pm:   Edit Post

I stand by the Q-Tron. I use some other stuff, but that is my favourite..

Rick
jacko
Senior Member
Username: jacko

Post Number: 2067
Registered: 10-2002
Posted on Saturday, January 17, 2009 - 5:23 am:   Edit Post

Here's my board as it stands just now. The big black box is the Eden navigator footswitch and I'm not using the board's inbuilt power supply (after a blue flash one gig).

board

This all sits in the navigator's side chain so I can control how much effect gets blended into the dry signal. I also have an Aphex Bass Xciter between the bass and the amp. I absolutely hate the eden enhance sound so never have it switched on.

Graeme
georgie_boy
Senior Member
Username: georgie_boy

Post Number: 641
Registered: 8-2005
Posted on Saturday, January 17, 2009 - 7:10 am:   Edit Post

Graeme
Did I run through all of that at the Scottish Reunion??

Must confess though.............I LOVE the Eden Enhance Sound!!

Horses for courses!

G
jacko
Senior Member
Username: jacko

Post Number: 2068
Registered: 10-2002
Posted on Monday, January 19, 2009 - 1:39 am:   Edit Post

Just the 2 EBS pedals george - Chorus and Overdrive. I didn't have the Qtron or big muff that long ago. Once we get the next reunion on the go you'll be able to click away to your heart's content.

Graeme
wibbersengland
Junior
Username: wibbersengland

Post Number: 17
Registered: 5-2007
Posted on Friday, January 01, 2010 - 11:16 am:   Edit Post

Hi all, I ditched a run of boss pedals for tcelectronic g-system for use with my alembic and other basses. I hooked it up with a boss line selector to mix a 'clean sound' with tc sound - the quality is awesome (especially with a series bass!!) as tc arguably make the best effects in the world currently.

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