| Author | Message | ||
| almost_mingus
Junior Username: almost_mingus Post Number: 26 Registered: 5-2004 |
I figured it's about time i posted some pics of my basses. Let's start with my MK Standard Point in Coco, lovingly named The Big General     more on the way.... (Message edited by davehouck on February 07, 2005) | ||
| almost_mingus
Junior Username: almost_mingus Post Number: 27 Registered: 5-2004 |
Now for my Brown Bass.. which i assume is a signature series? Anyway, this one is signed by Vic Wooten and aptly named The Work Bass    still more to come... (Message edited by davehouck on February 07, 2005) | ||
| almost_mingus
Junior Username: almost_mingus Post Number: 28 Registered: 5-2004 |
Okay... these next few are family shots :] Most of them aren't alembics... but you guys can appreciate 'lesser' basses anyway, right? Top row Left to right : Modulus Q4 in quilt maple, Modulus Q6 semi-hollow with sunburst, Warrior 7-string (yes, 7), Darrin Huff Rainbow Bass (nope, not a Carl Thompson..based on Les Claypool's bass). Laying down left to right: the work bass, Warwick FNA Jazzman LTD. 2003 (#23 of 200), '77 Jazz Bass with Status neck, Custom fretless 6 string Warwick streamer stage 1 with Zebrawood and side LED's, '75 P-Bass with fretless status neck, 1985 warwick thumb, sn# 0004.. as in the fourth one. ever.., next is the Zon Hyperbass, and finally my Fretless Excel 5, which i will post more pics of in the excel thread.    and last, but in no way least.. my true love, nessy :]  enjoy! (Message edited by davehouck on February 07, 2005) | ||
| almost_mingus
Junior Username: almost_mingus Post Number: 29 Registered: 5-2004 |
oops! left out a couple of close ups   | ||
| hb3
Junior Username: hb3 Post Number: 11 Registered: 2-2005 |
holy christ!!!! that's an amazing collection. how do you like the hyperbass? it drops down into some weird tuning or something? | ||
| almost_mingus
Junior Username: almost_mingus Post Number: 31 Registered: 5-2004 |
Yeah, the hyperbass is designed for alternate tunings, and all the tuners have detunes on them. I just tune it EADG, and i can drop it to CGCG. Next to my alembics (ofcourse), it's the best bass i own. It practically plays itself, never needs adjustment, and can get a GREAT sound with little work. I love it. Closest thing ive heard to that true Jaco tone. | ||
| malthumb
Advanced Member Username: malthumb Post Number: 304 Registered: 5-2002 |
Nice collection! The grain pattern on your Mark King (Deluxe instead of Standard?) looks almost exactly like the grain pattern on my Mark King / Series II.  Peace, James | ||
| palembic
Senior Member Username: palembic Post Number: 1918 Registered: 9-2002 |
Brother Austin, mama I wanno go to Austin and play his basses??? Ohmawgod. Really beautiful. I heard a lot of good things about the Status necks. True??? It is an idea tot do with "Broomstick" my crappy souding Squire Jazzbass: to put on a STatus JB neck fretless. Paul the bad one | ||
| serialnumber12
Member Username: serialnumber12 Post Number: 96 Registered: 12-2004 |
those are some badass basses! what do you have in those fenders? | ||
| almost_mingus
Junior Username: almost_mingus Post Number: 32 Registered: 5-2004 |
Thanks guys... The status necks seem to add more of a presence in the mids to me, making the jazz really nice for slap stuff, and giving the fretless a nice 'growl'. The necks do kind of take away a little bit of the 'organic' thump sound, though. The jazz bass has EMG's, a Bad Ass II, and the status neck, and the P-Bass is all original except for the neck. | ||
| hb3
Junior Username: hb3 Post Number: 12 Registered: 2-2005 |
allright, well, I'll ask another question, long as you're answerin'. the warrior. I have occasionally considered a 7-string (because I'm obviously insane). have you played the much less expensive conklins, the ones bill dickens uses? if so, I was wondering what the difference was between that and the much more expensive warrior. do you really play that crazy 7-string monster anyway??? | ||
| almost_mingus
Junior Username: almost_mingus Post Number: 33 Registered: 5-2004 |
I haven't played the conklin, but from what i've heard it's the best for the price. I play around with the 7, but i would never gig with it, for fear of making myself look like an idiot :] Mainly, i play with chords on it, and use it for jams with bass player friends... I'm considering selling it, simply because I know a few people who could put it to much better use than I do. It is fun, though, i must admit. The neck isn't as huge as one would think, it's actually pretty comfortable, and the thing sounds beautiful up and down the neck. The one thing i can say about 7-strings, is that if you like playing in the higher octave, or use Piccolo basses (which i do), and dont like having to switch basses frequently, I would suggest getting a 7. It actually has a higher range than a piccolo, and you still have enough low end to shake the house. It's definitely worth the investment if you think it's something you'd really put to use. I hate to admit it, but i just thought it was pretty :] Take it easy, hb. | ||
| hb3
Junior Username: hb3 Post Number: 13 Registered: 2-2005 |
as a matter of fact, I do use a piccolo, one of the reasons I've considered a 7, even a (gulp!) 8. but, yeah, I'd feel kind of silly, though I may have to take the plunge someday just to see what it feels like.... | ||
| 1stbass
Member Username: 1stbass Post Number: 83 Registered: 11-2002 |
Hay Austin, That is one super collection. is that a Excel in the group shot on the bed? | ||
| almost_mingus
Junior Username: almost_mingus Post Number: 34 Registered: 5-2004 |
Yeah, I posted some more shots of it in the Excel thread. | ||
| jpj678
New Username: jpj678 Post Number: 3 Registered: 1-2005 |
That is the single best collection I've ever seen. You have great taste! |
