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funkyjazzjunky
Senior Member
Username: funkyjazzjunky

Post Number: 698
Registered: 5-2007
Posted on Friday, April 22, 2011 - 9:35 am:   Edit Post

Check out Anthony Jackson

http://www.youtube.com/watch?v=26VM_rtWiX0
glocke
Senior Member
Username: glocke

Post Number: 855
Registered: 9-2002
Posted on Friday, April 22, 2011 - 3:08 pm:   Edit Post

Awesome!
white_cloud
Junior
Username: white_cloud

Post Number: 32
Registered: 6-2010
Posted on Saturday, April 23, 2011 - 5:45 am:   Edit Post

Yes - awesome indeed...but I prefer the recorded sound of Jimmy Johnson http://youtu.be/cNpt3iMFLjI
funkyjazzjunky
Senior Member
Username: funkyjazzjunky

Post Number: 699
Registered: 5-2007
Posted on Tuesday, April 26, 2011 - 10:09 am:   Edit Post

Wonder what model Anthony Jackson played and if he had a 6 string Alembic made
hifiguy
Advanced Member
Username: hifiguy

Post Number: 279
Registered: 10-2006
Posted on Tuesday, April 26, 2011 - 10:19 am:   Edit Post

I think Anthony's first 6 was either made by Carl Thompson or Vinnie Fodera. Don't ever remember seeing him wirh or talking about Alembics.
fc_spoiler
Senior Member
Username: fc_spoiler

Post Number: 1260
Registered: 5-2006
Posted on Tuesday, April 26, 2011 - 10:23 am:   Edit Post

"Wonder what model Anthony Jackson played and if he had a 6 string Alembic made"

Probably a Classico 6 with Schaller straplocks :-)
Talkin' bout Contrabass guitar

(Message edited by fc_spoiler on April 26, 2011)
reinier
Junior
Username: reinier

Post Number: 46
Registered: 1-2003
Posted on Tuesday, April 26, 2011 - 12:22 pm:   Edit Post

Don't think AJ ever played Alembic. Given that the Grover Washington recording dates back to 1976, my guess would be he used his Jazzbass, dubbed "Career Girl", I believe.

Lots of info on AJ's gear from past til (then) present can be found in this Bass Player interview:
http://www.bassplayer.com/article/anthony-jackson-interview/jan-00/6978

Part 1 is also very interesting reading material. And some of the takes AJ did back then for Chaka Khan / Arif Mardin are mandatory homework for all bass players. Even when you realise he got "carte blanche" re. (studio) time to mould his parts to perfection, just listen to "So not to worry" (hard to believe that was a 4-string, strung B-E-A-D!) or "Heed the warning". Still knocks me off my socks!

Take care,
RR
funkyjazzjunky
Senior Member
Username: funkyjazzjunky

Post Number: 700
Registered: 5-2007
Posted on Wednesday, April 27, 2011 - 11:38 am:   Edit Post

According to the Bass Book AJ played a 5 string (Low B) Alembic.

Listen to the intro clip on the Gorver Washington tune I listed above, does that sound like a Fender? I could never get one to 'blossom'

VMG
musashi
Intermediate Member
Username: musashi

Post Number: 156
Registered: 5-2004
Posted on Wednesday, April 27, 2011 - 3:48 pm:   Edit Post

What is "the Bass Book"?
jacko
Senior Member
Username: jacko

Post Number: 2903
Registered: 10-2002
Posted on Wednesday, April 27, 2011 - 3:52 pm:   Edit Post

this

graeme
musashi
Intermediate Member
Username: musashi

Post Number: 157
Registered: 5-2004
Posted on Wednesday, April 27, 2011 - 4:07 pm:   Edit Post

Thanks, Graeme.
reinier
Junior
Username: reinier

Post Number: 49
Registered: 1-2003
Posted on Monday, May 02, 2011 - 1:37 pm:   Edit Post

I have just reread the Guitar Player interview with AJ from 1989 and for some reason, AJ was keen on making a point re. 5 string basses. In the interview he states: "I have never player a 5 string. Period". In those early days he reportedly switched beteen his BEAD 4 Jazz bass and 6 string prototypes from Carl Tompson and/or Ken Smith.

His "blossoming" sound probably came from AJ using top notch equipment and from being very picky about string age. In the interview he stated that for a track on Chick Corea's "The Leprechaun" he changed GHS Boomers after every take! (Marcus Miller once said in an interview that in his younger days, he'd check every waiste bin in a NY recording studio when AJ was in the house).

RR
hifiguy
Advanced Member
Username: hifiguy

Post Number: 281
Registered: 10-2006
Posted on Monday, May 02, 2011 - 2:00 pm:   Edit Post

"Top notch equipment" I'll say!

He was using two Swiss-built FM Acoustics power amps for his live rig IIRC in the 1990s. Even back then these amps, most often used in high-end audio systems or in studios were $20-30K each. Had a chance to hear one when I was writing for The Abso!ute Sound back in the late 1990s - but I didn't review it when the then importer found out I was going to write about it and not then Editor In Chief Harry Pearson. The guy had a hissy fit and demanded it (and its companion preamp and phono stage) back after only six weeks. In '99 those three pieces comprised $80K of gear.

Best solid state amplifier I heard until I heard the Technical Brain amps from Japan at 2010 Rocky Mountain Audio Festival. Those handmade beauties were face-meltingly, mind-roastingly good, as they should be for $62K/pair. Kurosawa-san is a genius.

But no one has ever accused AJ of having anything than the most refined of sonic taste.
funkyjazzjunky
Senior Member
Username: funkyjazzjunky

Post Number: 701
Registered: 5-2007
Posted on Thursday, May 12, 2011 - 11:09 am:   Edit Post

In the article below Anthony Jackson talks about playing the Fender V 5 string bass

http://thepocket.multiply.com/journal/item/115/Contrabass_Conception_Anthony_Jacksons_Journey_To_6-String_Supremacy_By_Chris_Jisi_Bass_Player_Magazine

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