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Alembic Club » Miscellaneous » Archive through November 11, 2010 » Archive: 2008 » Archive through February 14, 2008 » DEAN JEF BERLIN - TO BE OR NOT TO BE? « Previous Next »

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white_cloud
Advanced Member
Username: white_cloud

Post Number: 219
Registered: 11-2007
Posted on Wednesday, January 23, 2008 - 2:49 am:   Edit Post

Hi there folks,

I could do with some wisdom from anyone out there with any knowledge of Dean basses (coz I have none!)

I have the chance to pick up a Jeff Berlin signature model (no longer made))cheap. It has quality hardware (Bad-ass bridge, handwound Bartolini's etc) and is a real player in good condition. Apparantly the JB model was made in europe and has a graphite re-inforced neck!

As Im a big fan of Jeff (probably my favourite player!)but not particularly Dean instruments! I figure this could be a fun, uncomplicated, bass to own as a back-up for my Persuader.

Anyone Know any different???

John.
bigredbass
Senior Member
Username: bigredbass

Post Number: 1277
Registered: 9-2002
Posted on Wednesday, January 23, 2008 - 4:28 am:   Edit Post

If I had to get a Jeff Berlin model, rather than the Deans, I'd carefully watch out for a Peavey Pallaedium, Peavey's signature model they built for Jeff back in Peavey's pre-Cirrus days. These can often be had for next to nothing, are very similar, and are way better made than the present-day Deans, which are one more product of the same Far East manufacture that includes the Schecters, Peavey BXP's, Washburn Bantams, et al.

J o e y
jacko
Senior Member
Username: jacko

Post Number: 1588
Registered: 10-2002
Posted on Wednesday, January 23, 2008 - 4:33 am:   Edit Post

The only Deans I've played were their semi acoustic models and I didn't like them. However, if you play it and you lie it, then go for it. That's a few hundred quid off your 'Next-Alembic-fund' though ;-)

You should have been at bassDay in November, Jeff played a storming set and ad-libbed brilliantly when they lost all stage power for 15 minutes.

Graeme
white_cloud
Advanced Member
Username: white_cloud

Post Number: 221
Registered: 11-2007
Posted on Wednesday, January 23, 2008 - 4:36 am:   Edit Post

Thanks Joey, I have heard of the "pallaedium" by Peavey ( I remember Jeff playing that model) but havent ever seen one here in the UK!

I totally agree with you about the far eastern production lines,but have it on good authority that the Dean JB signature model is european built - making it much better than an average korean Dean!

If im off the mark with this please re-educate me as the only reason Im considering this bass is as its so cheap and was endorsed by Jeff.

John.
white_cloud
Advanced Member
Username: white_cloud

Post Number: 222
Registered: 11-2007
Posted on Wednesday, January 23, 2008 - 4:39 am:   Edit Post

Hi Graeme!

Did Jeff use his Dean at bass day UK? If so how did it sound?

Dont worry about the next Alembic fund, a cunning plan has been hatched for that - to be executed in the next couple of years (I can wait - it will be worth it!)

John.
jacko
Senior Member
Username: jacko

Post Number: 1590
Registered: 10-2002
Posted on Wednesday, January 23, 2008 - 4:44 am:   Edit Post

He played this one John....
jeff

Needless to say he sounded excellent although I suspect that would be the case even if he played a box bass.

Graeme
white_cloud
Advanced Member
Username: white_cloud

Post Number: 223
Registered: 11-2007
Posted on Wednesday, January 23, 2008 - 5:25 am:   Edit Post

Thats the very one Graeme!

I have the offer of an identical bass for the cost of buttons. I think it would ably replace my departed Fender Jazz for the immediate future!

Apparantly they are great for the small ammount of cash they sell for, however the fact it has "Dean" on the headstock is something that puts me off (sorry mr Dean if your reading!)

Anyway, with bartolini pick-ups, a bad-ass and an ebony fingerboard - not to mention a hardcase - it represents real value for money (I couldnt buy the components for the price quoted)

Maybe Im just a musical instrument elitist!

I wonder why JB is always drawn to inexpensive axes??

John.
jacko
Senior Member
Username: jacko

Post Number: 1591
Registered: 10-2002
Posted on Wednesday, January 23, 2008 - 5:32 am:   Edit Post

Reading between the lines, I think Jeff has always resented not being as famous as Jaco or Stanley so he's had a hard time getting endorsement deals. I believe he also had financial issues some years back when his son needed medical attention so he's probably happy to have any kind of deal. At least now he has a deal with MarkBass and they've taken on board some of his ideas in their amps and cabs.

edit.. To his credit, he does actually use the gear he endorses unlike alot of other big name players who seem happy to lend their names to everything under the sun.
Graeme

(Message edited by jacko on January 23, 2008)
white_cloud
Advanced Member
Username: white_cloud

Post Number: 224
Registered: 11-2007
Posted on Wednesday, January 23, 2008 - 6:22 am:   Edit Post

Yes, an incredible player - but has a bad rep for being outspoken!

I dont have a problem with that to be honest, the more interesting characters that are out there playing bass the better I say!

He has a real disliking for active electrics for some reason, always staying true to his love of Bartolini passive pickups from wwwway back!

From what I can see he certainly does play everything he endorses and that suggests to me a human being who fully understands the value of loyalty!

That makes him a good guy in my book no matter how outspoken he can be:-)
bigredbass
Senior Member
Username: bigredbass

Post Number: 1279
Registered: 9-2002
Posted on Wednesday, January 23, 2008 - 12:07 pm:   Edit Post

I'm not much for gossip, but heard the details in person from people involved in the process in the early 80's:

JB has honestly earned his reputation for being a bit difficult, does NOT suffer fools gladly (I shudder to think of going to his bass school in Florida!). I admire him in a lot of ways, but he's definitely a 'straight, no chaser' fella.

In those days, Yamaha was courting JB. He had played a few BB2000's they'd fronted him. These were a hot item then. He rightly pointed out that they had rather fat, c-profiled necks, that weren't his cup of tea. They took his brutally-frank suggestions and the axe evolved into the BB3000, a much easier playing and better axe all the way around. And obviously, Yamaha went on to market the BB3000 successfully . . . with Nathan East as their endorser.

I can only imagine when he was with Peavey seeing all those Rudy Sarzo and Tim Landers ads . . . .

J o e y
keurosix
Advanced Member
Username: keurosix

Post Number: 227
Registered: 10-2005
Posted on Wednesday, January 23, 2008 - 5:41 pm:   Edit Post

Hi John,
I own a Dean Edge 6 fretless bass. It IS made in Korea, a bolt-on neck (Frankenstein), a basswood body and laminated maple walnut neck with ebony fingerboard. It has active 9v electronics, and apparently EMG pick ups that are labeled "Dean". Came with a HSC for about $550.00 USD. The set-up was fantastic right out of the case, ultra low action. The electronics are boost/cut treble & boost/cut Bass, vol, pan. The pan has a noisy pot. I don't like the bolt-on neck - never did like them. I also think the electronics could be better (It's NOT an Alembic!!!). But Bang-for-the-Buck it has.

I am considering adding an AC Guitars preamp that would retrofit directly into the 4 control holes and uses the original pick ups. This preamp is the closest thing to an Alembic Anniversary set up using two low-pass filters and a vol and pan. It has concentric pots for the 2 filters and Q. This pre is about the same cost as the guitar. Here's the link to the AC Guitars site search for "ACG EQ 01":

http://www.acguitars.co.uk/index.php

Here's a pic showing it with FretFX red LED's:


Al&Dean

I suspect the Jeff Berlin model is a better guitar. I saw him live with Bill Bruford at Toad's Place in New Haven, CT long time ago. Blew me away. He had a guitar with Leo Quann Pu's then. He is more technical with the music than the gear. He even says so.
Kris
2400wattman
Senior Member
Username: 2400wattman

Post Number: 500
Registered: 11-2005
Posted on Wednesday, January 23, 2008 - 6:30 pm:   Edit Post

Go get that bass!!! If it's cheap it will be the cheapest investment you ever made. Bartolini's are killer it has the BadAss and it plays excellent. Go for it!!
white_cloud
Advanced Member
Username: white_cloud

Post Number: 225
Registered: 11-2007
Posted on Thursday, January 24, 2008 - 5:18 am:   Edit Post

To be honest I have never seen this model before here in the UK and Im impressed with the hardware/playability for the price!

It might not have a fancy name on the headstock, but as a back-up bass it could be fun!

For a price that is CONSIDERABLY cheaper than a mexican Fender I look upon this as a risk free deal:-)
gare
Senior Member
Username: gare

Post Number: 415
Registered: 11-2003
Posted on Thursday, January 24, 2008 - 7:18 am:   Edit Post

John
I picked up an Edge 4 fretless about 2 years ago. Same description basically as Kris gave. Mine needed a complete setup since it wasnt maintained real well, but for $100 it was worth it. Plays really well now.
If the price is right grab it.

Gary
bigbadbill
Senior Member
Username: bigbadbill

Post Number: 419
Registered: 10-2003
Posted on Friday, February 01, 2008 - 5:26 am:   Edit Post

Jeff doesn't believe in fancy wood etc. He likes an alder body, slim bolt on neck, ebony fingerboard, Barts and a Badass. He thinks the rest is about art, not about sound, and only adds to the expense . I wish I could think that way, it'd save me a fortune!
white_cloud
Advanced Member
Username: white_cloud

Post Number: 248
Registered: 11-2007
Posted on Friday, February 01, 2008 - 7:21 am:   Edit Post

It must be said, in all fairness, that Jeff has a really nice tone. Jaco was in the same category - nice tone, no fancy electrics!

It is true that a lot of a players tone is actually in the fingers!!

John.
jacko
Senior Member
Username: jacko

Post Number: 1609
Registered: 10-2002
Posted on Friday, February 01, 2008 - 7:56 am:   Edit Post

John.
I'll agree that most of the time he ran clean, however, jaco used the built in distortion on his acoustic 360 heads. He also used a rackmount MXR digital delay and an octave pedal od sorts. If you check out the Joni Mitchell 'Shadows and light' DVD you'll see him constantly faffing with all three during his solo spot.
jaco was a true innovator and liked to experiment. If he'd lived, i'm willing to bet he'd have tried out extended range basses, digital looping and every other tool that's come along in the last 20 years.

Graeme

graeme
bsee
Senior Member
Username: bsee

Post Number: 1869
Registered: 3-2004
Posted on Friday, February 01, 2008 - 8:36 am:   Edit Post

I have a bass from the original Dean era twenty-something years ago. It's a very solid piece. The current generation of Dean stuff I have seen is mostly Korean made commodity gear, though I have also seen a few higher end pieces.

What he's playing in that pic looks like a modernized Jazz. The neck pickup might be a little closer to the neck than on a Fender, but it looks pretty similar short of the cosmetics.

Any bass in the $500 or less price range that feels solidly built, plays well, and sounds pretty good is worth a shot. I am guessing that's what you mean by "cheap". If so, then go for it if it suits you.
white_cloud
Advanced Member
Username: white_cloud

Post Number: 249
Registered: 11-2007
Posted on Friday, February 01, 2008 - 10:05 am:   Edit Post

It would have been interesting to witness the kind of music that Jaco would be composing/playing today had he managed to survive!

Players from the same era, such as Jeff, have certainly matued well. Jeff has really "found his voice" on the bass now.

Poor Jaco - what an awful gap he left after his sad downfall:-(

Yeah, a bass with Schallers, bad-ass, bartolinis, graphite re-inforced neck, hard case etc delivered for $500..Im happy with that deal:-)

John.

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