The body is something special. Paul requested to have the body make from solid Zebrawood, but that won't allow for the continuous wood backplate fabrication. Our solution was to start with a solid Zebrawood body that Kris sawed into the various body laminations. We added thin Ebony accents and used hollow core construction like most Series II basses and guitars. The main feature of this unorthodox Alembic woodwork is seen in a side view of the body, where the highly defined stripes of the zebrawood, when sawn and carved, produce an amazing topographic map effect. |
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Unbound Continuous Wood Backplates make a nearly seamless look on the back of the bass. This bass is thinner than the basses we made twenty years ago, so the electronics are spread out amongst the three cavities. The Ebony neck laminates add mass, weight and a sublime fundamental deep sustain that erupts from deep under any stage. |
Paul wanted an old-school Alembic badge on the headstock without the Alembic script. It works very well on the smaller headstock, too. The instrument is properly heavy, but has excellent balance, due to the placement of the straplocks and the smaller, more compact Knobby headstock. | |
Paul also wanted a slightly wider-fretboard than his normal narrow preference, because even on an 8-string, he uses pick, fingers and a combination of slap/pop and free-form tapping. Each string can be individually intonated, and with all that hardware, the bridge could be a little cramped. We chose to conceal the mounting hardware for the intonation screws for a clean uncluttered appearance. The custom shaped tailpiece echoes our early era - a shape we call "The Mustache." We built it like we did back then from a thick brass plate and an Ebony shim underneath. Both are finished with our polyester paint. |
Side LEDs are part of the scheme along with front Laser LEDs.
When the power supply is connected, the side LED position markers help Paul find his way on a dimly lit stage. The front Laser LEDs are
for the audience to enjoy. The addition of a dimmer control allows Paul to set the brightness to
his preference. Okay, okay, about those inlays -- (we always say, at Alembic, "custom" means what ever you want) they are 110% Paul. He is a graphic deginer by trade, so of course he wanted to be intimately involved with the inlay design. |
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Tibetan "Om" symbol-signifying the essence of divine presence. Mother of Pearl |
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Egyptian Eye of Horus (modified): Horus, the hawk-headed child God, surrounded by emanating rays of divine light and love. Mother of Pearl, Sterling Silver |
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Paul is an Aquarius, so, this is an easy one. Laminated Abalone |
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The Chinese symbol for Chi (Paul is a Tai Chi devotee). Mother of Pearl |
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What else at the octave? John Paul Jones' rune (seen on Led Zeppelin's fourth album. The rune is an ancient hex sign,
also conveying confidence and competence. (Try drawing it freehand sometime.) Laminated Abalone |
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Alchemical symbol for mercury. Also a hermaphroditic symbol, showing the power essence of a combined male/female force. Mother of Pearl |
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A coiled serpent-representing power in reserve, also the breath force, commonly illustrated as a coiled serpent at the
base of the spine. Laminated Abalone |
SPECIFICATIONS
Price available on request |
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