The heart of replicating the Thunderbird's tone is the Mahogany
neck. Lower density than our standard Maple neck, Mahogany imparts a deeper sound that is never over-bright. For visual interest, we
added Maple pinstripe veneers between the Mahogany laminates. The tinted finish deepens the natural color of the wood.
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Susan suggested using a reverse Elan peghead for this project.
It's smaller than Thunderbird's but keeps a similar vibe. Matching Quilted Maple veneers decorate both the front and back of the peghead, which
Bob has painted the same 3-tone Tobaccoburst finish as the body. The smaller size of the peghead greatly improves the balance of the instrument,
which according to Steve is not neck heavy and is very comfortable the play.
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Another contributing factor to the balance is the weight of the machine heads themselves. Since we were trying for the best balance possible without drasticaly changing the look of the bass, Hipshot Ultra Light tuners help ease some of the mass at the far end of the bass. | |
Steve specified a Rosewood fingerboard for this project. It's unusual for us, and we don't
keep a huge amount of Rosewood fingerboards in stock. We ordered some Rosewood for fingerboards and even milled it for this bass. Then we discovered a
lonely little board sitting way in the back corner. Too small for a top, it was the
perfect size for Steve's Alembird, and we were glad to finally have a home for this special piece of wood. Abalone oval inlays add an Alembic touch. |
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The contoured shape on the top right along the edge of the fingerboard was an interesting
construction challenge. We used a very thin 1/8" laminate just for the beautiful
figure. This thin top was flexible enough for Mike to clamp to the already carved contour in the Mahogany body. It was an important decision to use
such a thin top since a thicker laminate would increase the brightness, and that was something that Steve wanted to avoid in this project. Since the Tunderbird's truss rod access is at the peghead, we elected to use a continuous wood truss rod cover located at the pickup end of the fingerboard to help retain the idea of the bass. |
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The 5A grade Quilted Maple is a knockout. It's hard to believe the
undulating figure is sanded flat because it has so much dimension. Our first attempt
wasn't what Steve had envisioned, but he was able to direct Bob to get the finish just right. He wanted the darkest colors just along
the edge, with amber across most of the top so as not to obscure this delightful wood. |
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Of course the custom body shape requires a custom backplate. This form follows the contours
and looks as it should: designed specifically for the purpose. |
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Chrome hardware all around on the Alembird. We love the way it looks with the
finish, plus there's no brass cleaning in this bass' future. Steve - it's always a pleasure to work for a dear friend. We thoroughly enjoyed this project, and appreciate your perseverance during the design and build process. It is our sincere hope you will enjoy this "blending" of some of your favorite instruments for all of your days. |
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Text and Photographs of bass © 2005 Alembic, Inc. |
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