Alan liked the grain he found on another maker's bass. After looking at a few selections by email, I realized that
one of the reasons he wasn't super excited about the choices is that the asymmetric body shape of the Rogue was gobbling up a key feature he
liked on his reference bass - the wide grain at the bottom end. So I suggested we try
slipping the bookmatch to capture more of that wide grain, like we had done on another Rogue
bass at the customer's request. Alan approved the new slip placement with an enthusiastic, "Let it rip!!!" We added a subtle stack of Mahogany, Purpleheart and another Mahogany as the accent laminate. We often go for maximum constrast, but that wasn't the goal with this bass. |
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It's hard to miss the blatently non-Ebony fingerboard on this bass. Selected for looks alone, the Purpleheart fingerboard has a little
less contrast than our traditional Ebony board, and its violet color is sublime. The natural abalone inlays have wonderful pink and
purple hues to complement the fingerboard. Even though Ebony is our first choice for fingerboards from a durability perspective, Purpleheart is no slouch in that arena, and will weather well over the years. There's plenty of early 1970s Alembic basses and guitars with their original Purpleheart fingerboards intact. Over time, the vibrant color will mellow to a warm purplish brown hue, which will still look great on this bass. |
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There had to be a little more purple here for us to call this bass Deep Purple and now you've found it! Actually, it's technically
violet, since light doesn't come in purple. The side LEDs are violet with amber at the 12th and 24th positions. We've only made a handful
of instruments with these LEDs, and they look really cool, especially when paired up with the proper woods.
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Alan requested a custom peghead shape, based on the Dragon Claw peghead on the instrument he already had. It's never quite as easy as
the request sounds, "take the 'claw' part off" because you have to study the form and make sure it doesn't look like you just took
the claw part off. In this case, we pulled the center of the peghead over to the left more than the original. A
few sketches later, and we had the shape that Alan was dreaming about.
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Combining the Ash body with an Ebony neck laminate is the perfect recipe for the tone that Alan sought. The sound is deep and muscular,
with more midrange than his other basses. The body shape is extremely comfortable for live playing, and that's exactly what Deep Purple
is doing right now, holding down the low end in its natural environment.
We had fun making this bass. There were some challenges to get everything "just right" but you'd never know it from looking at it or playing it. I actually had to force myself to stop playing so Mary could give it her final seal of approval. I'm not sure if Alan will have a number four in his future, but I won't be too surprised if we're asked to make another dream come true for him in the future. |
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Text and photos by Mica Wickersham Thomas, © 2011 Alembic, Inc. |
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