The color is so rich and the figure so intense on this Maple. The
natural stain looks as if you spilled a cup of hot cocoa across the wood and wiped it away. If you are having trouble seeing how dark it is,
compare the top wood to the neck wood and note how much contrast you can see.
There are some darker streaks running through the wood which are mineral deposits, which are more visible on the back. These are not defects in the slightest, just another facet of the beauty of Nature. |
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David sent me a picture of another manufacturer's inlays that he fancied.
It struck me that the concept could be developed into a form that was actually two letter Ds interlocked. David loved the idea so then
I got to sketching and drawing. It was a lot harder than I thought! After scores of scribbles, I was finally happy with the results, as was David.
People have seen all sorts of things in these inlays: a bowtie, a sine wave, part of a treble clef, two snakes eating two elephants, you name it! But when we tell them it's 2 letter Ds, they all can see it clearly too. |
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Early in the design process, David specified a medallion
inlay of Wolf. We've really amped up the detail in this artwork, and the list of materials included is extensive. The wolf's
fur is tightly flamed figure Walnut, with a Buckeye Burl snout. His eyes are mother of pearl and abalone, with tiny sterling silver
dots for highlights in his Ebony pupils. Wolf's ears are lined in golden mother of pearl and his eyebrows are agoya shell. His black
Tahitian mother of pearl nose has Pink Ivory wood nostrils. His mouth is lined in Pink Ivory, and the tongue is a custom cast red
acrylic. Wolf's teeth are white mother of pearl.
The whole show is then set onto a background of Flame Maple which is wrapped in sterling silver, then in Ebony then again in a broad sterling silver band. We sanded this outer ring to mimic the grooves on a record. It really shines in the light. |
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The Further guitar comes standard with an Ebony front veneer,
which looks great as an extension of the Ebony fingerboard. In addition to the standard inlaid logo with shell, David requested
a lightning bolt inlay, which we did in golden mother of pearl to coordinate with the warm color of the Chocolate Quilted Maple.
To make the rear facing veneer, we used the same piece of wood that we made the body laminates from. After expertly resawing with a bandsaw, we then sanded the wood to match the thickness of the other strengthening veneers in the peghead. Many of the woods we use do not have commercial sources for matching veneer, and even a relatively common wood may have such an unusual grain pattern that we are compelled to make our own veneer in these cases. |
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While I was working on the sketches for the fingerboard inlays,
I had an inspiration about David's initials "DDM" and I created a monogram based on the front inlay D shapes, integrated with a take
on a 16th century M. I thought it might look nice on the peghead, a little secret inlay, with a little cryptic twist, and David agreed so
we cut it from one HUGE piece of golden mother of pearl.
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To work with the inlay, we've made a tailpiece that gently
curves around the medallion so they don't interfere with each other. There's a couple of other tailpiece details, like the decorative Ebony shim
and the top-loading feature for the strings.
Standard for the Further guitar, the bridge's hardware is concealed in the rails. There's just 6 little holes to access the intonation screws. Not standard is the luxurious 24 karat gold plated finish on all the brass parts. |
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Blue side LEDs with amber at the 12th and 24th fret for playing in low light
situations and of course the overall coolness factor! Each LED is inlaid in a tiny sterling silver circle so that even when the lights are turned
off, they work as position markers.
The LEDs are supplied power by three 9 volt batteries. These batteries are separate from the battery that powers the electronics of the guitar. We've also included an internal dimmer control to set the overall brightness and an on/off switch mounted on the front of the guitar for those times when you don't want or need the lighted indicators. |
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Another touch of personalization, initials DDM are cut through
a long piece of golden mother of pearl and then filled with our special recipe of black epoxy and Ebony dust. Even after refretting and
relevelling years into the future, these letters will still be just as nice as they are now.
"It is absolutely a beautiful piece of art," David wrote to us recently, "and the playability is not to be believed. While I love my collection of Tom Andersons, Fenders, Gibsons, G & Ls and Ricks, this guitar is in a world and class unto itself. One would really need to see, hold and play this guitar to truly understand how unique and special it is." A complete joy, that's all we can say about working with you, David. It's also what we say about your guitar - Double D was pure joy to make, and we're glad that you are enjoying it so much now. |
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Text by Mica Wickersham Thomas, © 2012 Alembic, Inc. |
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