With a scant 5 or 6 bookmatches remaining, Quilted Coco Bolo is one of
the rarest woods we've worked with. More oily and dense than standard Coco Bolo, this Quilted variety is breathtakingly gorgeous, and its voice is even
deeper. There's little contrast, so the depth of figure is impossible to capture in a photograph. We think it looks like a river of hot lava. |
|
On the back of the bass, the Quilted figure gets a little more
dispersed, and the regular, expected Coco Bolo grain is more evident. We love how the grain of the wood follows the shape of the bass. |
|
We feel morally obligated to make continuous wood backplates on such beautiful wood, it would be such a waste to pave the back with brass. There is the added benefit that the wooden backplates weigh a good bit less than metal ones. |
|
Quilted Coco Bolo may "grow" on trees,
but there is no commercial source for the veneer, so we must make our own on demand. We take a thin slice of
wood from the bandsaw, and sand it until it's the proper final thickness. Note the front veneer is from the same piece of wood as the front laminate, and the back veneer is from the same piece of wood as the back laminate. |
|
Heart Omega carving is a sculptured work of art. First, we remove the bulk of the wood using some deft maneuvers with the bandsaw, then come the rasps, files, and sandpaper to do the actual shaping. All the layers in the body sandwich stack show in the carving. | |
Scott chose an excellent piece of Macassar Ebony for the fingerboard. Mica
and Ron were on a trip buying Walnut, when they noticed a small stick of exceptionally straight and consistently striped Macassar
Ebony. The wood was just wide enough for a fingerboard, and thick enough to yield two or three. It was too nice to pass up, and
they brought it back to the shop along with the load of Walnut. Though Scott originally was going to have custom inlays on the fingerboard, after seeing the bass with some finish on it, he decided to let the special woods be the focus and opted for a blank fingerboard. |
|
Gold plated hardware means that Scott will not have to break out the Flitz and polish the brass. The tailpiece, bridge, bridge block, truss rod cover, and string nut are all polished to a high shine and slotted for setup before the parts are sent to the gold plater. | |
With a buffed bronze logo, the golden color coordinates with the hardware and sets off the mother of pearl and the striking colors of the abalone nicely. | |
SPECIFICATIONS
|
|
|
Wallpaper:
1600x1200
1280x1024
1024x768
800x600 Widescreen: 1920x1200 1680x1050 Order this Featured Custom on a coffee mug
Text and Photographs of bass © 2007 Alembic, Inc. |
Custom Archive
·
Get a Custom Quote
|
The Specials · The Products · The People · The Place · The Support · Site Index |