Since Pete works in the electrical industry,
and loves the look of lightning bolts, it was a natural choice for a personal inlay. Susan and Pete traded some sketches,
and after the first more elaborate idea was abandoned,
he decided on a simple, but substantial bolt. The lightning bolt inlay is made from three separate pieces of shell. James selected the mother of pearl from large blanks that had similar color, but with slightly different directions to the “flash.” In this shot, the top piece is flashing, but when playing, each section flashes at a different angle, and makes the inlay very active, dare we say, "electric." Oh we dare, we dare. |
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How do you make thunder? Ebony neck laminates are a good start. To bring a little warmth to the tone, Susan suggested using
Mahogany as the main neck wood. Pete reported, "I thought that graphite necked basses had sustain until I played this monster." Regular readers of our Featured Custom pages know well the value of Ebony neck laminates. For those yet to be informed, adding Ebony results in greatly increased fundamental sustain. Our customers tell us we undersell the impact of Ebony, so please prepare to be pleasantly surprised the first time you hear them. |
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Each piece of the brass hardware is goldplated. We
make the hardware here, and fully set the bass up before the plating is sent out. Then, the plated parts are
reassembled and even the slots in the nut and tailpiece are plated. Goldplated hardware is standard on a Series II. Sure, it doesn't contribute to the sound, but, think of all the extra time you'll have to practice if you're not polishing your brass. |
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Another standard feature on a Series II bass is the inlaid
logo with shell. The sterling silver Alembic logo has white mother of pearl in the cloud and abalone in the circle formed
by the dragon. This is inlaid before Bob completes the finish work, and is completely flush to the touch.
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An important part of the wood tone recipe for this bass is the Coco Bolo top and back. Not only is it an absolutely stunning wood to look at, but it contributes a wonderfully complex component to the sound. It's at the same time rich and deep, but also preserves the important highs for an almost piano-like tone. To play warm and full sounds, simply turn down the volume of the bridge pickup a little and lower the cutoff frequency of the filters. | |
Decorative, yes, but oh so lovely, the Heart Omega carving detail isn't too much on this understated bass. The Mahogany "tips" of the Omega are actually part of the neck. Carving and finishing something like this is not simple, and several additional hours of labor are needed to make it come out this nice every time. | |
We all had such a wonderful time building this instrument. From a strictly aesthetic viewpoint, it's absolutely lovely - there isn't one
feature that vies for your attention. From a pure playability view, it's like "buttah" and the name Lightning also refers to the lightning
fast neck. Sonically, the thundering lows this bass achieves are enough to rumble listeners out of their seats. To have all this in
one bass is magic, motivated by love of music and the craft of great building, the essence of beyond custom. Pete, thanks for letting us make Thunder and Lightning for you. It was our pleasure. |
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SPECIFICATIONS
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Text and Photographs of bass © 2006 Alembic, Inc. |
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