We strived to get major features of the planets represented, including axial tilts, to make the inlays more
than just dots of various colors. Mercury has one white mother of pearl hemisphere and one black. Venus is cloaked
in a sea of pink mother of pearl. Earth combines watery blue acrylic and malachite. For Mars we used recon coral with
a polar ice cap of mother of pearl. Jupiter's bands are formed from bronze mother of pearl with its Great Red Spot in recon
coral. Saturn is white and golden mother of pearl. Uranus and Neptune are abalone. While Pluto has officially been
reclassified a dwarf planet, it's earned a place in our hearts as the largest known member of the Kupier-Edgeworth Belt. In a
likely unique appearance on a guitar inlay, the Oort cloud is represented by a scattering of tiny sterling silver dots.
Even during the process, the planet inlays have a certain intrigue. |
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Matching front and back peghead veneers coordinate with the Quilted Maple on the body. The black stain, with just a tinge
of purple has a suggestion of nebula combined with the undulating grain.
"I met Tony at Planet Bass, and he is very knowledgeable, friendly, fair, and fast. Maybe it was from dealing with Tony at 'Planet Bass' that I got the idea in my head about the planets replacing the fret markers, and including Pluto it fits perfectly. "I wanted a guitar that would look understated from far away, but as you moved closer you would discover things - first something unusual about the fret markers, then see the gorgeous depth of the black/slightly dark purple Quilted Maple, and then back to the fret markers for closer inspection." |
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For us, a black finish is actually quite exotic! In this case, Eric
requested a stained black finish, which is even more rare in these parts. Starting with such a beautiful piece of Quilted Maple, the
results are rather astounding, we heard one comment of "it looks like moonlight over the ripples of a lake." That is just about the
perfect description!
Despite its three dimensional appearance, the body is perfectly flat. The abrupt change in grain direction leaves a deeply incised look to the top laminate. |
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The sterling silver Alembic logo on the peghead is
aswirl in abalone and mother of pearl.
"I had big expectations for this bass," Eric wrote to us. "When it arrived, I was pretty much speechless at first. It was so beautiful I wanted to put it somewhere and not touch it. Which lasted about 30 seconds as I had to know how it sounded. The attack, tone, decay and feel of this bass is like nothing I have ever played before, and I have been jaded with some fine equipment. The most outstanding feature of this bass is that it is so musical...it feels like I am singing when I play it, not picking at notes." Well, Eric, even though some of this project took much longer than expected (how long did we consider the asteroid belt?), the time we spent getting to know you was a joy. Thank you so much for your enthusiasm and trust, and for the freindship you extended to each of us in the Alembic family. |
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Text and photos by Mica Wickersham Thomas, © 2011 Alembic, Inc. |
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