Truly a rare sight on an Alembic bass, a Maple fingerboard. To help with the
inevitable wear on a light colored fingerboard, we applied a thin layer of finish to the wood so it can keep it's good clean look for a good long time.
Though we've resisted Maple fingerboards for, oh about forty years, we just couldn't say no to Lalo. Lalo is a "fan of maple fingerboards because the attack is faster and it also lets me switch from fingerstyle to slap in the middle of a song without too much adjustment." There's only a handful of Alembic instruments with Maple fingerboards for now. |
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When he placed the order, the one thing that Lalo stated was that he wanted a
Birch body. Birch is nearly as dense as Maple, so it produces a good, bright tone, but it's not quite as harsh as Maple can be. "I'm surprised Birch
is not more common as a body wood," Lalo told us. "I was looking for the brightest sound, and I have learned it's easier to make the sound darker if
needed, than to add clarity and highs that are not there in the first place; I think you guys really succeeded with this goal!" Compared to other
basses, Lalo told us "I hear less compression and more sustain with fewer body laminates." |
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For the Series I and II instruments, a hollow-core body is preferred so the backplates
don't grow amazingly large since the electronics occupy a good bit of space that is outside the realm of the plate. Lalo wanted a solid body, we had to figure
out how to make the electronics fit, keep the plate size normal, and make it look good. We wound up with
two good ideas, but the second one was the better of the two. We took the solid body halves and sliced each cleanly down the middle, like a clamshell. Then, we had
the access to carve out some of the bulk of the wood to make the enlarged cavities for the electronics, keeping in mind that we wanted to keep things as
solid as possible. Glued back together, the seam at the center of the body is nearly invisible, even when you know to look for it. It's the "non-sandwich." |
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We made the birch front and back veneers from the same board from which
we made the body of the bass. We resawed the board on the bandsaw super-thin, then sanded it down to the finished size. Interior veneers are
Maple and Purpleheart. |
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Lalo ordered this bass with gold plated hardware. The day we were to send the parts
to the gold plater, we looked at the black and white impression the bass has, and suggested he change to blackened brass hardware. Lalo would hear nothing of it.
"I am a BIG fan of gold hardware...the tuners and bridge gold for sure." Once the gold hardware was on the bass, we had to agree - it visually melts into the
Birch and looks fantastic.
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Blue Laser LEDs are fitted on the front of the fingerboard. While they aren't really lasers, these are
some mega-bright LEDs, and great for fun on stage. An external dimmer lets Lalo decide just how bright they should be. In these photos, the abalone oval inlays
are slightly overpowered by the blue lights, but in person, they are colorful and placid. While we were hesitant at first, we're so very glad you convinced us to use the Maple fingerboard. Pure Brilliance is smokin' hot - and we hope that you get to enjoy many years on stage with her. And who knows how many Maple fingerboard you will inspire others to include on their own custom builds? |
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Text and photos of guitar by Mica Wickersham Thomas, © 2010 Alembic, Inc. |
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