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We've been calling this bass Red Tiger ever since Shoji registered as redtiger on the Alembic Club
to watch his bass as we built it.
When he ordered the bass, Shoji had a few specific requests, like the narrower than
usual nut width and the solid gold logo and script. The whole set of features is reminiscent of our classic builds, back when there
were many fewer options available. If you ordered a short scale Series I in Vermilion back in 1975, you'd get Vermilion as the
top laminate, but the back might have been something different, and the peghead veneers would have been whatever was on hand at
the time. In fact, there's whole chunks of instruments from the mid-seventies where the peghead veneers were Coco Bolo no matter
what the body laminations were.
Since this bass was specifically built for Shoji, we could
incorporate many of the small improvements we've made since those early instruments. For example, moving the location of the pickup
selector from the lower horn to the rest of the electronics cluster. Back in the early 70s, who ever heard of slapping? The pickup
selector was in a nice, out-of-the-way place, but still accessable for easy changes. Once you slapped yourself into stand-by, it was
only natural for the pickup selector switch to migrate to safety!
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