From the first concept, Steve knew he wanted this custom peghead shape, one we've taken to calling a "Rounded Crown." Originally, he called for the logo to be placed just above the nut, but when Jonathon did the inlay, he suggested raising it slightly so it wouldn't be totally obscured by the strings. The front of the peghead is Ebony, and the logo is inlaid in sterling silver, Mother of Pearl, and Abalone, all recessed under the finish. When you rub across it, you can't feel anything but the glass smooth surface of the finish. On the back of the peghead, we matched the AAAAA Quilted Maple that graces the back of the guitar. | |
The high gloss polyester finish really brings out the depth and beauty of the Coco Bolo and the Quilted Maple
face plates. Steve elected to have our satin neck feel on the back of the neck. The feel is fast and doesn't
catch or stick even when you're really sweating.
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Back to front: Quilted Maple Purpleheart Maple Purpleheart Maple Vermilion Maple Coco Bolo That's a mouthful, and a most delicious 8-piece Hippie Sandwich, Bon Appetit! |
The pickup ring is at the heart of the design of the guitar. It was important for this decoration to not look like an afterthought. We worked out serveral different shapes, and when Susan, Mike and Mica presented Steve with this form, it was brass cuttin' time! The top and bottom echo the tulip tip on the end of the fingerboard while the sides reinforce the form of the body shape. You can just see an end of the pickup selector switch plate, which was designed to match the curve of the lower horn. Mike made all the plates and buffed them to a high lustre finish. | |
Mike also buffed the tailpiece to a high lustre finish, and all the brass parts coordinate well. The simple shape is designed so that if Steve later decides to have an inlay below the tailpiece, this curve will wrap around it. The ball end of the string is fed through the large opening in the top of the tailpiece, then slides up to secure under the smaller slot when the guitar is tuned. | |
Susan got really excited when Steve ordered fancy inlays. He asked for symmetrical curves in the standard
positions. The result is a new inlay pattern, Alembic Scrolls, where the waves sway to and fro. In the shop,
Jonathon selected the Mother of Pearl, hand cut and inlaid each piece to the pattern. When we drew the first curves, little did we know that this would be the beginning of a whole new line of guitars. |
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SPECIFICATIONS
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