After playing the Skylark for a while, I started to realize that I just like
long scale guitars better. I think it's more about playability for me,
rather than sound. You can still get good sounds out of a medium scale.
Mostly I like the feel of a long scale better. So then I started to think
about a long scale Skylark, which I had never heard of (but I knew Alembic
would make me one). Looking at long scale Alembic guitars that I already
knew about, I started lusting after a Tribute. But, the electronics are a
little too complicated and it's a little more than I can afford. I love the
shape though. So I stated thinking, I wonder if they would make a Tribute
shaped Skylark? That would be an awesome guitar! |
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I love the neck woods on the Tribute too, so I thought I might as well see if a full-on Tribute neck
could go with the body shape, but still keep the simplicity of the Skylark's electronics and body construction.
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I like old burst finishes, but sometimes they're a little too brown. The way Alembic does it with the
wine color looks right to me. I also asked to leave the burst color off the neck so I could see the
wood there. The color is hard to capture with a camera. I took some pictures for the Alembic Club
and had to get a couple of each angle. Different parts of the figuring will jump out, depending on the light.
There's things that the camera just doesn't pick up.
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I was thinking about the initial phone conversations I had with Susan about the guitar.
After we got the work order started and went over the details, I remember her saying, "these are all
standard features, are you sure you don't want a wood upgrade or anything?" and I was like, "nope, it'll
be pretty good just the way it is."
I contacted Susan part way into the build and added the Bird of Prey tailpiece. It just looks so right with this shape, so I got to custom it up a bit. |
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The back of the headstock was another aha! moment with my Oceanburst Skylark. I didn't really look at
the back of the headstock when I got it. Then one day I was playing, and set the guitar on a stand. I picked
up a rag to give it a wipe down. When I turned the guitar around, I saw the back of the headstock and it was like wow!
I couldn't believe how beautiful it was. That's usually just a spot for the "Made in Korea" or "Made in China"
sticker. And here is this beautiful piece of wood, perfectly finished. This was one of the first things I looked at when I got the Tribulark. And it's the same thing - it's so beautiful. The veneer looks almost like Quilted Maple. And the figuring fits right in with the tuners and it's perfectly finished. It still blows my mind that the back of the headstock is nicer than the entire guitar from other makers. Thanks so much, Bob! Your message to me made a perfect Featured Custom writeup. We're going to see more Tribulark inspired guitars, no doubt, and I would wager that we'll be suggesting that tailpiece shape to others considering a Tribute or Tribulark. |
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Text largely by Bob Bloise, photos by Mica Wickersham Thomas, © 2011 Alembic, Inc. |
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