Upon seeing the Classico, it is clear our intention is to bridge the gap between
traditional upright bass and modern electric bass. Borrowing from the lines of
traditional instruments, we are able to construct an instrument that has the familiar
feel of a double bass, but the ease and convenience of an electric solidbody bass.
The Classico is a departure from both
traditional acoustic instruments and other electric upright basses. In these
instruments, the string vibrations cause movement of the bridge, which, in the case
of the acoustic instrument, causes the top wood to move and create a louder sound
than the string alone. In the case of electric uprights with piezoelectric sensors
at the feet of the bridge, the movement of the bridge sensors causes the electrical
signal which is the output from the instrument. In either case, the energy you put in
the string when you plucked or bowed it is partially lost to the bridge as it vibrates
to cause the sound you hear.
In the Classico, we kept the bridge solid
and it rigidly sits on the hard maple top plates of the bass. As a result, the energy
you impart to the string when you play it is reflected from the bridge and stays in
the strings. Our design gives you greater sustain of the critical lower-frequency
components of the note, making it easier for you to make a more expressive tone. In
addition, the hard maple top reflects to higher overtones making the tone naturally
bright and crisp. Both actions make the bass respond to your playing technique and
give you the ability to control the expression, timbre, attack and sustain.
The woods are carefully chosen not only for
their beauty, but for their stability. That large piece of maple and mahogany must be
very heavy, right? Wrong! We employ a special hollow core construction to make this
beast easy to capture at 24 pounds.
The neck is made from three pieces of maple.
The center piece is straight grained and the outer pieces are aligned so the grains
of each piece oppose each other. This ensures minimum neck movement over the life of
the bass. While the shape of the peghead is purely aesthetic, the tilt is a very
specific draft angle to fully isolate the strings.
The pickups are very unique. You will find
them completely concealed within the maple and rosewood pickup bridge just below the
fingerboard. On the underside of this bridge, four easily accessible trimpots are
provided to allow you to determine the volume of each string independently.
We hand make every part possible; from the
body itself to the tailpiece, we craft it in our complete wood shop.
From the machined stainless steel peg to
the brass plates, we make it all in our machine shop.
From the winding of the pickups to designing
and building the electronics themselves, we do it all in our electronics laboratory
and assembly shop.
It becomes quite easy to see what sets our
company and products apart from the masses. Our staff of musicians takes personal
pride in building each instrument as if it were their own.
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